Gender is the wide range of biological, behavioral, mental and physical characteristics relating to, and outlining the difference between femininity and masculinity. However, gender identity is a subjective experience and the individual’s personal sense of being either a man or a woman. However, different societies provide features besides sexual organs, that define gender identity such as dressing codes, gender roles among others that help to identify their members in terms of either male or female. This paper pays high attention to how fashion has led to the rise of new features of identifying gender among some of the Japanese tribes.
The vibrant and outlandish fashionistas of Tokyo have led to a change of fashion in japan in a rate that is almost impossible to document without instantly being out of date. However, there are some tribes in japan that have managed to change with technological changes of fashion without abolishing their true societal origins. Apparently, there are several tribes that have evolved that one cannot miss encountering them in any time one happen to tour to the Japanese capital (Okazaki & Johnson, 2013).
For example, the changing fashion have led to the rise of a group of youngsters that refer themselves as the roller family that has seriously assumed the business of dancing to old rock and roll in large numbers especially during the afternoons of both Saturday and Sunday at the entrances of Yoyogi park without failing. However, this dancing group is believed to be part of the Yoyogi furniture that has been in existence since 1990 (Keet & Manabe, 2007).
The dancing group is characterized by receding hairlines bullied into thinking quiffs. Moreover, on the border of Shibula and Harajuku districts, there have emerged Grimoire, which is a shop furnished with accessories and cloths located a convenient point targeting the Dolly Kei movement. The followers of this movement dress velvets, rich embroidery and silks that distinguish themselves from non-followers. This movement emerged in 2010 seemly when the interested brothers and sisters started shopping some of these attires in this Grimoire shop and has emerged as genuine contenders in the world of Tokyo fashion (Okazaki & Johnson, 2013).
Another Japanese tribe referred to as Lolita tribe that described as cute due to its mode of dressing and decoration that the members adhere to it. The members decorate themselves in a riot of pinks, bonnets, shepherd crooks, frills and aprons.
This fashion has been in existence for more than a decade and its unexpected twist in its evolvement have kept it interesting. Moreover, Gosurori resembles Lolita outfit as its members dye in black, have snow-white laces, they edge with pristine, and they apply make-ups in order to match. It is believed that this tribe was part of Harajuku since 1990s, and its increase was, as a result, of the cross-pollination of both Lolita and defunct Visual Kei movement. However, the tribe has high set of love children than anyone can imagine (Walker, 2011).
Besides, Harajuku district was the origin of the Tokyo tribes and were so many that most presses refer the fashionistas as the Harajuku Kei. The fashionistas dress several bright coloured and clashing clothes where both swapped and local accessories take the huge parts of the clothing. In addition, Gyaru Kei sprang up from earlier Ganguro tribe that was characterized by frightening army of teenage girls who modified their hair into tight afros and used to wear blackface during the weekends. This Gyaru tribe is characterized by late-teenage women who had sculpted hair, wear mini-skirts and apply make-ups. Furthermore, the latest Gyaru tribe requires its faithful members to whiten their skins as it has been dictated by the fashion`s ancestral roots. In connection to this tribe is the Gyaru-Oh that is characterized by males who spend more time looking themselves in the mirror similar to females in the Gyaru tribe. It is believed that whatever the Gyarus tribe can undertake, the Gyarus-Oh can do it even better. Furthermore, this tribe has increased due to their awarding of their own tribal bible named as the Men`s Egg (Keet & Manabe, 2007).
Other Japanese tribes who have contributed to the emergence of the Tokyo fashion include the Dolly kei crowd that have their own spiritual home, the Otaku tribe that is defined as the geek chic and its subculture fashionable wing is referred to as the Akiba Kei, that originated from Akihabara. Otaku consists of 48-member-strong girl group, thus named AKB48.Cosplay another tribe that lived was characterized by chintzy fabric and a blue wig. Itasha tribe that was characterized by a gang of drivers that was mostly invisible in the japan capital. Ironically, Itasha referred to the cars that the members drive rather than the people themselves (Macias & Evers, 2007).
It is, therefore, evident that Japanese fashion has evolved that help to identify gender and mostly to attract various tourists all over the world. However, most Japanese youths have made efforts to enhance the improvements of the Japanese tribe.
Keet, P., & Manabe, Y. (2007). The Tokyo look book =: Tōkyō rukku bukku : stylish to spectacular, goth to gyaru, sidewalk to catwalk. Tokyo: Kodansha International.
Macias, P., & Evers, I. (2007). Japanese schoolgirl inferno: Tokyo teen fashion subculture handbook. San Francisco: Chronicle Books.
Okazaki, M., & Johnson, G. (2013). Kawaii!: Japan’s culture of cute. Munich: Prestel. Walker, E. (2011). Style book: Fashionable inspirations. Paris: Fla